Tuan Andrew Nguyen

Tuan Andrew Nguyen works across video, sculpture, and installation, drawing on long-term research, community collaboration, and oral history. He views storytelling as a speculative and reparative act that reclaims histories often obscured by official narratives.

 

The Boat People extends Nguyen’s ongoing inquiry into transmission and the afterlives of objects. Set at the brink of humanity’s possible extinction, the film follows a group of children wandering across flooded landscapes in search of traces from a vanished civilisation. Having inherited a world submerged and fragmented, they attempt to reconstruct histories they never directly experienced through the objects that remain. Encountering ruins, relics, and debris, the children carefully reproduce in wood the objects that resonate with them, carving fragile interpretations of a past they can only imagine.

 

The film asks what we owe to worlds we never inhabited and to those who will inherit ours: how the stories held in things pass between the living and the dead, and what forms of kinship survive when almost everything else has been lost.

Tuan Andrew Nguyen, The Boat People, 2020 (film still). Courtesy of the artist and James Cohan, New York.

Tuan Andrew Nguyen explores the power of storytelling through video and sculpture, reworking colonial histories and supernaturalisms into imaginative vignettes. He has had solo presentations at the New Museum (2023), Fundació Joan Miró (2024), Zeitz Museum of Contemporary Art Africa (2024), Smithsonian American Art Museum (2024), and Art Institute of Chicago (2025). Nguyen has received numerous awards, including the 2023 Joan Miró Prize, 2025 Trellis Art Fund Milestone Grant, and 2025 MacArthur Fellowship. His work is included in the collections of MoMA, Singapore Art Museum, SFMoMA, Solomon R. Guggenheim Museum, and Whitney Museum of American Art, among others.

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b. 1976, Sài Gòn, Việt Nam.
Lives and works in Hồ Chí Minh City, Việt Nam.

The Boat People 2020

Super 16mm transferred to digital, single-channel, colour, sound

19' 45"

Content Notice: This film contains imagery of weapons and themes of displacement and loss.